bryankonietzko:

My spouse spotted this familiar face in LA today and took this photo. (I added the zooming sequence for dramatic effect.)

In the writers’ room and in storyboard meetings on Avatar: The Last Airbender, we would often get to the end of a script/board and someone would inevitably ask, “Where’s Momo?” We would have forgotten to include him in the story/storyboard, so we’d have to go back and do a Momo pass, figuring out where he was and what he could be doing. If we were clever enough, we’d come up with things that contributed toward the plot; but often they just added a bit of comic and/or cute animal relief while answering the question of his whereabouts.

And despite those efforts, even after that, the directors would turn in their final shipping boards and inevitably get them back with several Post-It notes attached to various scenes from our checker, Cathy. These notes read: Where’s Momo?

maha-pambata-is-my-patronus:

dukeofbookingham:

penfairy:

oh! I have to tell you guys a great story one of my professors told me. So he has a friend who is involved in these Shakespeare outreach programs where they try to bring Shakespeare and live theatre to poor and underprivileged groups and teach them about English literature and performing arts and such. On one of their tours they stopped at a young offenders institute for women and they put on a performance of Romeo and Juliet for a group of 16-17 year old girls. It was all going really well and the girls were enjoying and laughing through the first half – because really, the first half is pretty much a comedy – but as the play went on, things started to get quiet. Real quiet. Then it got up to the suicide scene and mutterings broke out and all the girls were nudging each other and looking distressed, and as this teacher observed them, he realised – they didn’t know how the play ended. These girls had never been exposed to the story of Romeo and Juliet before, something which he thought was impossible given how ubiquitous it is in our culture. I mean, the prologue even gives the ending away, but of course it doesn’t specify exactly how the whole “take their life” thing goes down, so these poor girls had no idea what to expect and were sitting there clinging to hope that Romeo would maybe sit down for a damn minute instead of murdering Paris and chugging poison – but BAM he died and they all cried out – and then Juliet WOKE UP and they SCREAMED and by the end of the play they were so upset that a brawl nearly broke out, and that’s the story of how Shakespeare nearly started a riot at a juvenile detention centre

Apparently something similar happened during a production of Much Ado at Rikers Island because a bunch of inmates wanted to beat the shit out of Claudio, which is more than fair tbh

honestly Shakespeare would be so pleased to know his plays were nearly starting brawls centuries into the future

ichibankasuga:

moonlandingwasfaked:

jim from the office and Jordan Peele both made top tier horror movies

is the secret being a funny person?

i don’t have any sources on hand but i believe that when he was penning get out jordan peele talked about how his fascination w/ horror stemmed from the fact that comedy and horror filmmaking both operate using similar beats and techniques, just utilizing them to different effect

so yeah, the secret really was being a funny person