So Apparently Male Authors Have Been Making Their Wives Do All The Typing

doubleplusunlucky:

beautytruthandstrangeness:

squeeful:

smallswingshoes:

orriculum:

angualupin:

sixth-light:

diamondinternational:

It’s incredible how much women do behind the scenes. I know a realtor who relies strongly on his girlfriend’s charisma, beauty and personality to gain clients.

I’ve just been reading The Glass Universe by Dava Sobel, about the Harvard women who supported the bulk of astronomy research there over the late nineteenth and early twentieth centuries. While many of them did receive public and academic credit as well as pay – although the university always resisted making any of them faculty until the 1950s – almost all the male astronomers featured were married to accomplished women in their own right, many of them scientists, and you can bet their husbands weren’t putting them on all their papers. 

Which has bled into the modern academic world, where many people are expected to do what was essentially a two-person job (filled by male academic + wife) by themselves, or while married to someone else trying to do the same thing. The lack of acknowledgement of women’s work fucks everybody over. 

#people who want a return to the mythical prior era #when women did not work #do not want women to stop working #they want them to stop getting credit and pay for it

This reminds me of how early film history, it was always the male director’s wife who did the editing of the films, because the cutting and connecting of film strips was considered a lot like sewing. Of course, anyone who knows anything about film and editing can tell you it changes how good a movie is very easily.

Don’t believe me? Look at the differences between the famous Jaws as the public’s release of it (insisted upon by the female editor) and spielberg, the male director’s version of it (missing basic suspense methods, shows the phony shark too much, etc). Same goes for almost every tarantino film. Editing makes or breaks a film and even today, you can bet your socks editing “the invisible art” was pioneered and is still pushed by women.

^^^^^^ This is so true! And once film editing began to be recognized as an actual art form, women were shoved out of the editing room so that men could be artistic or whatever.

Also Tarantino referred to his favorite editor as being kind of like his mom or something and I swear to god the more I see of him, the less I like him.

The “female editor” for Jaws was Verna Hellman Fields, who cut many other notable films, including American Graffiti along with Marcia Lucas.

Tarantino’s “favorite editor” was Sally JoAnne Menke who edited all of Tarantino’s films until she died.

Because naming and credit is important, especially when you’re talking about women not getting credit and recognition of their work as named individuals.

If you want to know more about women in early filmmaking (emphasis American) and the sociology of how different roles were divided, gendered, and re-gendered in the first decades, I highly recommend Women Filmmakers in Early Hollywood by Karen Ward Mahar.  

There are a number of other books to follow that, but it’s 2am and I’m tired so hit me up later for them.

You know what happens when women type? They EDIT. It is a service they are expected to provide invisibly – not to let a mistake or imperfection show to their husband’s audience, but also not to intrude upon his sense that this is all his ideas and his labor. Wives are the unacknowledged story and script doctors, and often co-authors for so many supposedly male-authored works.

Also, I second Women Filmmakers in Early Hollywood. Mahar was my history prof for three or four courses and she is incredibly knowledgeable and engaging. 

Speaking anecdotally, there are a good number of rockstar PhD candidates in my program who are only able to put in the hours that they do because their wives function as personal assistants/editors/housekeepers/chefs while they finish up their degrees. I’m not knocking the folks who choose to do this, but the labor of their silent partner is rarely acknowledged and it’s just assumed that they’re preternaturally talented or dedicated. I’ve rarely (never) seen this dynamic reversed, and I’m in a field with a fairly equitable gender ratio.

So Apparently Male Authors Have Been Making Their Wives Do All The Typing

thepinkjinx:

glisteningsoftly:

invertedgender:

Men are using a powerful hashtag to fight back against emotional abuse

According to NCADV, 4 in 10 people have experienced some kind of coercive control from an intimate partner. Sadly, #MaybeSheDoesntHitYou is raising much-needed awareness for a widespread problem.

This is disgusting. It really is. I hope that people gain awareness of this issue and their own situation and I really hope that we all find better.

Yiiikkkeeesss 😦

Group Of DC Fans Attempting to Sabotage ‘Black Panther’s Rotten Tomatoes Audience Score

powerdadbatman:

directedbyandrzejwajda:

justmelvin:

gunshyghosts:

Of fucking course smh

Come on DC fans, like what the fuck?!

Oh for the love of God… It’s not DC fans. It’s one bigoted asshole who probably learned trolling on 4chan.

These tweets sum this up:

But yeah, demonize the entire DIVERSE fanbase so garbage sites can get those yummy clicks. I bet ya’ll feel so much better now for liking the correct stuff. So pure, so clean, not like those awful DC fans. Congrats, once again, on giving the white supremacists the platform to spread their views. 

Actual DC fans are currently raising money so kids in Bronx can go see Black Panther in theater. 

You can support #BlackPantherChallenge on their gofundme: 

https://www.gofundme.com/black-panther-challengebronx-ny 

…But I guess that’s not good material for clickbait 

¯_(ツ)_/¯

Group Of DC Fans Attempting to Sabotage ‘Black Panther’s Rotten Tomatoes Audience Score

thejusticethatissocial:

lehaaz:

GOFUNDME: SAVE OUR NAVAJO LANGUAGE

“I never learned my Navajo language and I was never inspired to learn it.  As I got older, I realized how valuable our language is to the livelihood of our Navajo Nation. ” -Dr. Shawna L. Begay

Our Navajo or Diné language is in danger of becoming extinct.  Help us create and develop the first Navajo-English educational media TV puppet show, “Diné Bí Ná’álkid Time” which means ‘The Navajo Movie Time.’  It will inspire and teach our youth basic language skills using media as a technology tool. Parents, grandparents, children and grandkids can learn to speak Navajo  fluently together within their own homes.

Long-time friends and educators, Dr. Shawna L. Begay and Charmaine Jackson have teamed up to create this new TV pilot for an all-ages audience or for anyone who wants to learn the Navajo language.  

With your support, it’ll be the first educational Navajo and English puppet show that will teach and preserve the Navajo language and culture through digital media.

After several years of extensive research on the Navajo Nation, Dr. Begay recently completed her PhD from the University of Nevada-Las Vegas with her doctorate thesis, ‘Developing A Navajo Media Guide: A Community Perspective.’ As project director, she quickly realized she was a pioneer on the topic.

“When I decided what topic to study I realized there existed very little research in Indigenous educational media, especially with our Navajo people,” stated Dr. Begay.  “As Navajo people, we have our own learning objectives and Navajo way of knowing is completely different for Euro-Western schooling.  I decided that I had to research and develop our own curriculum guide that is meant to teach Navajo through media.”

Dr. Begay and Jackson, co-writers of the show, developed the first 3-puppet characters and plan for many more. The pilot features Nanabah-a young Navajo girl, Gáh (Rabbit) and Dlǫ̀ǫ̀ (Prairie Dog) who will go on endless adventures learning about language, gardening, the environment and the importance of family values. Nanabah is fluent in Navajo and likes to teach children about life on the reservation with her animal friends and special guests.  Children who want to learn Navajo will also be an important part of the show by interacting with Nanabah, her friends and storyline.

Dr. Begay’s research concluded there exists very little research in the area of Indigenous educational media. Currently media is a very powerful tool that can be used to teach. She is cognizant of the digital age we live in and the opportunities to utilize media to revitalize the Navajo language.  

“Star Wars and Finding Nemo,” dubbed in Navajo, was a great place to start and it has garnered national exposure of our language. However, we need a show based on our own Navajo learning principals our ancestors set out for us to learn and live by. I don’t think a non-Navajo, non-Native or non-Indigenous person can do that for us, nor should they.  We, as Navajo, need to produce this show ourselves, if we are to be truly sovereign,” added Dr. Begay.

Both educators, Dr. Begay and Jackson, of Naalkid Productions have been talking about this educational language project for about the past four years and still have a long way to go to finance their dream.

“With the support of Navajo TV Anchor Colton Shone, our team of Navajo artists, filmmakers, family and friends, this video pilot is a huge step forward,” said Jackson.  “Our journey has just begun and the big next step is finding financial support to create a whole new puppet TV series.”

We aim to raise $50,000 with this project which will allow us to continue with pre-production and production aspects of making this digital media project become a reality.  We need your help to save our language by teaching Navajo to our future generations.

Pre-Production:
-Script writing for the pilot show
-Puppet Development/Creation
-Casting for puppeteers and other talent that will be on screen
-Hiring of all key cast and crew

Production:
-Locations and permits
-Rental of Studio space
-Equipment: cameras, sound, lights, etc.
-Cast and Crew budget

Despite all the notes on this post, they’re still at $13,155 of their $50,000 goal. 

Please keeping sharing and donate if you can! 

ghettoinuyasha:

pyreo:

pyreo:

You grow up and you realise A Bug’s Life was the revolutionary Leftist masterpiece of our childhoods

I’m not even slightly kidding

Ants are the workforce doing the labour needed to survive, and they have to do it twice over to provide for both themselves and for a group of parasites who do nothing but consume the labour of others

The ants work themselves near to death trying to stay afloat

The grasshoppers don’t even need any food. They have tons

to spare but still insist on taking the food the ants worked for because they ‘deserve’ it, despite actually contributing nothing of value. The only reason this works is by threatening ants with force and degrading them so they feel weak and worthless, and insisting that the grasshoppers deserve a cut for some vague service they claim to provide to society

In reality Hopper is desperate to stop the ants from thinking for themselves, keeping them ignorant of the fact that he has subjugated ants through threats of power while the ants actually overpower the grasshoppers through sheer numbers.

And should the ants ever realise that the grasshoppers take from them while providing nothing and that revolution is possible, the class system they’ve installed will be finished.

tl;dr feed the 1% to birds

remember when pixar was like… this