The myth that panic, looting, and antisocial behavior increases during the apocalypse (or apocalyptic-like scenarios) is in fact a myth—and has been solidly disproved by multiple scientific studies. The National Earthquake Hazards Reduction Program, a research group within the United States Federal Emergency Management Administration (FEMA), has produced research that shows over and over again that “disaster victims are assisted first by others in the immediate vicinity and surrounding area and only later by official public safety personnel […] The spontaneous provision of assistance is facilitated by the fact that when crises occur, they take place in the context of ongoing community life and daily routines—that is, they affect not isolated individuals but rather people who are embedded in networks of social relationships.” (Facing Hazards and Disasters: Understanding Human Dimensions, National Academy of Sciences, 2006). Humans do not, under the pressure of an emergency, socially collapse. Rather, they seem to display higher levels of social cohesion, despite what media or government agents might expect…or portray on TV. Humans, after the apocalypse, band together in collectives to help one another—and they do this spontaneously. Disaster response workers call it ‘spontaneous prosocial helping behavior’, and it saves lives.
I’ve been sharing this article a lot recently! I think it’s important
straight men trying to make Serious war dramas and accidentally making incredibly tender homoerotic cinema is the funniest thing
In his essay, “Masculinity as Spectacle,” Steve Neale seeks to extend Laura Mulvey’s work on the male gaze and to challenge her assertion that the male or male-identified spectator can never look upon the male body as an erotic object. To challenge Mulvey’s assertion, Neale identifies the mechanisms mainstream Hollywood cinema uses to represent the male body as erotic. One way of doing this, Neale argues, is by making the male body the target of violence. In the war film, a soldier can hold his buddy – as long as his buddy is dying on the battlefield. In the western, Butch Cassidy can wash the Sundance Kid’s naked flesh – as long as it is wounded. In the boxing film, a trainer can rub the well-developed torso and sinewy back of his protege – as long as it is bruised. In the crime film, a mob lieutenant can embrace his boss like a lover – as long as he is riddled with bullets. Violence makes the homoeroticism of many “male” genres invisible; it is a structural mechanism of plausible deniability.
Always resignation and acceptance. Always prudence and honour and duty. Elinor, where is your heart? What do you know of my heart? What do you know of anything but your own suffering? For weeks, Marianne, I’ve had this pressing on me without being at liberty to speak of it to a single creature. It was forced on me by the very person whose prior claims ruined all my hope. I have endured her exultations again and again whilst knowing myself to be divided from Edward forever. Believe me, Marianne, had I not been bound to silence I could have provided proof enough of a broken heart, even for you.
It is a very rare thing for me to disagree so hard with a progressive Black woman, but Therese Patricia Okoumou IS a hero. And she certainly did not let anyone down. Fighting for young children who were being caged and separated from their parents is never ever the wrong thing to do. What she did—resisting Trump and publicly speaking truth to power—required great courage. Okoumou is a hero and an activist. A social justice warrior in the truest sense of the word.
After repeatedly reaching out to the mainstream media and asking them to continue covering her story, she is being ignored by them now. But remember: they were happy to use her when she was the hot story and good for ratings. Now they apparently cannot be bothered to interview her, or call out the injustice of her impending imprisonment. (#WhiteFeminism)
If anyone knows of any lawyer or anyone who might be able to help Therese Patricia Okoumou with her appeals process, please reach out to her on her Twitter account.